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MANTEGNA, Andrea
Italian Early Renaissance Painter, ca.1431-1506
Italian painter and printmaker. He occupies a pre-eminent position among Italian artists of the 15th century. The profound enthusiasm for the civilization of ancient Rome that infuses his entire oeuvre was unprecedented in a painter. In addition to its antiquarian content, his art is characterized by brilliant compositional solutions, the bold and innovative use of perspective and foreshortening and a precise and deliberate manner of execution, an aspect that was commented upon during his lifetime. He was held in great esteem by his contemporaries for his learning and skill and, significantly, he is the only artist of the period to have left a small corpus of self-portraits: two in the Ovetari Chapel; his presumed self-portrait in the Presentation in the Temple (Berlin, Gemeldegal.); one in the Camera Picta (Mantua, Pal. Ducale) and the funerary bust in his burial chapel in S Andrea, Mantua, designed and probably executed by himself. His printmaking activity is technically advanced and of great importance, although certain aspects of the execution remain to be clarified. Related Paintings of MANTEGNA, Andrea :. | San Sebastiano | Samson and Delilah | The Gonzaga Family and Retinue finished | Dead Christ | St George | Related Artists: Hugh Bolton JonesAmerican Painter, 1848-1927 Jan Davidsz. de Heemstilllife masters, Dutch Baroque Era Painter, 1606-C.1683 El GrecoGreek-born Spanish Mannerist Painter, 1541-1614
Considered a representative of late Renaissance Spanish art, El Greco was actually born in Greece, on the island of Crete. After studying in Venice under Titian, El Greco settled in Toledo, Spain in 1577. At the time he was wildly popular, his emotionally religious paintings being just the ticket for the hometown of the Spanish Inquisition. After his death his work was largely ignored until the beginning of the 20th century; now he considered one of the inspired geniuses of Western art. His distinctive style features bold shapes and colors, with elongated and slightly distorted figures.
In Toledo El Greco was in constant demand and liked living large: he maintained a private orchestra to accompany his meals.
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